<?xml version="1.0" encoding="UTF-8"?>
<!-- generator="wordpress.com" -->
<urlset xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.sitemaps.org/schemas/sitemap/0.9 http://www.sitemaps.org/schemas/sitemap/0.9/sitemap.xsd"
	xmlns="http://www.sitemaps.org/schemas/sitemap/0.9"
	xmlns:news="http://www.google.com/schemas/sitemap-news/0.9"
	xmlns:image="http://www.google.com/schemas/sitemap-image/1.1"
	>
<url><loc>https://calandacritica.com/2026/04/10/los-anos-apuntes-sobre-el-cine-de-ozu-1949-y-1950-por-marcos-rodriguez/</loc><news:news><news:publication><news:name>Calanda</news:name><news:language>es</news:language></news:publication><news:publication_date>2026-04-10T13:26:36+00:00</news:publication_date><news:title>Los años, apuntes sobre el cine de Ozu: 1949 y 1950, por Marcos Rodríguez</news:title><news:keywords>Primavera tardía, las hermanas munekata, ozu, japones, setsuko hara, yasujiro ozu, los años, kinuyo tanaka, japonés, late spring, hara, chishu ryu, ryu, munekata sisters</news:keywords></news:news><image:image><image:loc>https://calandacritica.com/wp-content/uploads/2026/04/vlcsnap-2026-04-07-12h46m50s967.png?w=150</image:loc></image:image></url></urlset>