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1https://calandacritica.com/wp-content/uploads/2019/07/vlcsnap-2019-07-13-18h50m50s950.pngvlcsnap-2019-07-13-18h50m50s9502020-09-25T03:58:39+00:00monthlyhttps://calandacritica.com/2020/09/17/8537/https://calandacritica.com/wp-content/uploads/2020/09/carpenter14.jpgCarpenter14https://calandacritica.com/wp-content/uploads/2020/09/caropenter12.jpgCaropenter12https://calandacritica.com/wp-content/uploads/2020/09/carpenter11.jpgCarpenter11https://calandacritica.com/wp-content/uploads/2020/09/carpenter10.jpgCarpenter10https://calandacritica.com/wp-content/uploads/2020/09/carpenter8.jpgStarman - 1984Editorial use only. No book cover usage. 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Film Critics' Circle Awards in LondonNicholas Roeg attends the London Film Critics' Circle Awards at BFI Southbank. 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Georg (Franz Rogowski) kann im letzten Moment seiner Verhaftung entgehen und gerät an die Papiere des toten Schriftstellers Weidel, dessen Identität er annimmt. Er flüchtet nach Südfrankreich, in der Hoffnung, dort auf politische Gesinnungsgenossen zu treffen. In Marseille lernt er Marie Weidel (Paula Beer) kennen, die dort seit Wochen auf ihren Mann wartet, nicht wissend, dass er nie wieder kommen wird. Die beiden Verlorenen beginnen eine leidenschaftliche Affäre. Aber für Marie steht im Gegensatz zu Georg fest: Sie will weg aus Marseille und in Südamerika ein neues Leben beginnen. Der Tag der Abfahrt des Schiffs naht, und Marie gibt die Hoffnung nicht auf, ihren Mann noch zu treffen. Von Minute zu Minute spitzt sich die politische Situation in Marseille weiter zu. Paul könnte den Platz von Maries Mann einnehmen, doch er zögert. Die Verwendung dieses Bildes ist für redaktionelle Zwecke honorarfrei. 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